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Elizabeth Bonaventura,
What About Standing
People and Animals?


November 8, 2018–
January 6, 2019

Reception: Thursday November 8, 6–8pm

 

   

   

 

RECENT PRESS

The New Yorker, "Richanda Rhoden, A Fascinating Painter Whose Work Was Rarely Shown in Her Lifetime," by Andrea Scott, August 31, 2018

Artforum, Critics' Picks: Richanda Rhoden, by Mira Dayal, September 2018

Brooklyn Rail, Richanda Rhoden, by Hadley Suter, September 4, 2018


 

 

 

 

 


ELIZABETH BONAVENTURA, What About Standing People and Animals?

Soloway Gallery is thrilled to present What About Standing People and Animals?, a solo exhibition of new work by Elizabeth Bonaventura. A painter for decades, over the past several years Bonaventura has developed a distinct and beautiful body of work in casein on paper.

Bonaventura’s new work depicts creatures and personages traveling through schematic hilly landscapes in saturated hues of blue, red and green. Partly dressed people and animals parade along the strong horizon stopping occasionally to talk, play or fight. Bonaventura’s people, tattooed, blue haired, oddly proportioned and costumed might have deserted a circus sideshow, while her monsters appear to have made their way from the outer edges of an early map of the world onto center stage. And what are they waving and talking about, the “scary man” or the “bird man”? Bonaventura’s titles provide only the most basic script leaving the scene open to interpretation. Lively gestures and expressions combine with the rich palette to create an atmosphere both enticing and baffling.

Of her own work Bonaventura has written: My paintings often show figures in an environment of alienation. The space can be absurd and unsafe or hopeful. Figures are sometimes disassociated from each other and themselves. Other figures are searching, asking questions.”*

Although Bonaventura has worked in casein for a long time, until the last few years she favored larger format panels and a looser, more painterly style. Two works from the show, Two Facing Men and Small Naked Man and Giant Man feature the open negative space and more gestural approach from 2009 - 2013. More recent paintings place the figures against strongly colored reductive backgrounds and have harder edges with outlines. Bonaventura’s work has a range from brushy expressionism to a flatter, more graphic style as if the emotion conveyed by earlier brush strokes has more recently been channeled into actual facial features like grins and grimaces.  These beings who can easily shape shift from human to creature and from smiling to crying have something in common with the existential elasticity of Maria Lassnig’s figures. But while Lassnig’s figures squirm and lurch and often look out of the canvas, Bonaventura’s are busy with each other “searching and asking questions”. The warm, appealing colors lend an unsettling homeyness to the confrontations or problems that arise between characters.

 

Elizabeth Bonaventura earned her BFA from Moore College of Art and her MFA at Mason Gross School of the Arts at Rutgers University. She is a recipient of a 2018 MacDowell Fellowship and a 2012 NYFA painting grant. Bonaventura has exhibited in numerous group shows, most recently at Nonfinito Gallery in Philadelphia, Bushel Gallery in Delhi, New York and 106 Green in Brooklyn NY. For 25 years Bonaventura has been a member of the Scenic Artists Union 829. What about Standing People and Animals? is organized by the artist Hannah Barrett, a self- interested fan as only a painter can be.

 

*excerpted from Bonaventura’s artist statement for Fragmented Realities at Nonfinito Gallery in June of 2018.